It is not easy to explain the project “Judaica: An Embodied Laboratory for Songwork.” Funded by a Leadership Fellow award from the Arts and Humanities Research Council (2016-2018), the core of this project was six months of full-time embodied practice research involving three skilled practitioners working closely together, first in a studio and later in a variety of other places.
In this week's blog, documentary Film Producer and PhD candidate Anna Sowa discusses how her film Kanraxël- The Confluence of Agnack’ came to win an AHRC Research in Film Award, among others, and where her project has gone from there.
Ahead of this year's Research in Film Awards, Joanna Callaghan – Senior Lecturer in Filmmaking at the University of Sussex and former Research and Film Awards judge – discusses the importance of Research Filmmaking and she's working to consolidate the field.
Dr Will Abberley describes what it was like to apply to become a New Generation Thinker and how the scheme has changed his career, and his ways of thinking.
For a research project looking at the relationship between jazz and TV, there can be few better ways understanding the process than creating a new take on live, televised jazz
Peter Coates and Susie Painter take a look at how Springwatch went from ‘badgers doing bugger all’ to unmissable TV
In our latest blog, Dr Kip Jones – Director of Bournemouth University's Centre for Qualitative Research – describes how his short film RUFUS STONE captured the hearts of a new generation of viewers and how his new project hopes to understand why.